The Becher Duo, Hilla and Bernd Becher matched photographs from across time and space in a simple, unadorned fashion to create collages with near identical elements. The Becher Duo mastered the typology in displaying the similarities between industrial structures that are eerily alike despite often being located on different continents. The Bechers began photographing together in 1959 and were married in 1961. They photographed together for over six decades and passed their knowledge on to others by teaching at their Alma mater, the Kunstakademie Düsseldorf, until 2007 when Bernd passed away.
While studying the Bechers’ work, what I grew to appreciate most about the Becher's collages is the simplicity. Every photo is black and white and the backgrounds to each collage are white. It doesn’t matter what era the photos are taken in, from the early 1960’s to the early 2000’s, each industrial structure is shown in the same simple, unadorned way. What is most surprising, however, is the beauty and gravitas that the structures take on in the Bechers’ photographs. As Emma Hamilton notes in an American Photo article, “there are families of industrial forms, that utilitarian architecture can be appreciated for its aesthetics, and that these buildings can be re-framed and re-presented as sculptures.” The ability to take the ordain and monolithic and turn it into art, as if it is sculpture is what sets the Bechers apart.
In addition to presenting their photographs with a very distinct style that turned the mundane to artistic and beautiful, the choice of subject for the Bechers is in itself interesting. Often what most catches the eye is that which is exceptional, but the Bechers dismissed this in favor of that which is often overlooked. To most, who do not work in industrial jobs, industrial equipment is simply a means to get some material or product into the hands of consumers. Industrial structures are large structures that invoke the people working there than an inherent character. When I think of an industrial factory, the first thing I think of is a worker in coveralls who stands dirty and sweaty after a hard day of work. The structures are impressive to most in scale, but do not take on the same meaning that they had to Bernd Becher. “Bernd Becher's fascination with industrial architecture was rooted in his childhood in the Ruhr, and he was acutely aware that the mega-structures throughout Germany, Europe and America would soon disappear from the landscape, just as the ones around his home had as Germany moved into a new, postwar economic era” notes Sean O’Hagan in a The Guardian article . Becher was seeking to preserve the industrial monoliths like those that surrounded him as he grew up, and it is perhaps this feeling that lent additional gravitas to the Becher Duo’s photographs.
Once I understood the method and motivation of the Becher Duo, I wanted to in some way capture their style. I decided to go on unsplash.com to see if the underlying ideas of simplicity and repetition could be replicated with pictures taken across the world and uploaded to the site. I was surprised to be able to make a number of very cohesive collages that touch on a number of subjects and showcase that, much like the Bechers found uniformity in industrial structures, each of us as humans has a shared perspective in capturing something. I chose a number of topics that range from a collection of towers that fit the Becher style to people smiling.
To bridge the gap between the supremely industrial/architectural and the human I looked at how we interact with technology. Especially in the case of computers, I was fascinated to see how computers were photographed mainly as standalone accessories, much like a structure, and as being secondary to the hands using them. The messages could not be more different. One emphasizes the beauty of the machine and one of the human that uses it. The Bechers’ form of a singular subject, simple canvases, and black and white images are the guiding principles of my study of their typology, whether the subject is human or machine.
Becher Typology Studies
Smiles
Embrace
Books
Computers
Towers
Plane Formations With Trails
Cellphones
Plane Windows
Cars
Trains
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